Yesterday I spent a half dozen hours at the Roseland Ballroom, where the New York City Tattoo Convention was holding court. This was my third trip to the show, and each year, I have a different experience, as Tattoosday has evolved as a site (read about 2009 here and 2010 here).
In years past, I have only highlighted one or two pieces, as I go into sensory overload. What, outside of a convention's setting, would normally pique my interest, seems commonplace and ordinary. This year, however, I took many more photos, and actually interviewed four people, so this will be Convention Recap Week.
I do want to say the best part of the show was hanging and chatting with Marisa and Brian from Needles and Sins, as well as with Nathan from Knuckle Tattoos. It's not a portrait of future world domination, yet, but here's the three of us, masterminds of three of the best tattoo sites around, and hands and above, the best three inkbloggers at the show:
Nathan, Marisa and Me (photo by Brian Grosz)
That moment of self-adulation aside, I spent the first few hours talking to vendors about advertising, chatting with colleagues, and saying hello to people I've met in years past, like Greg who was the high point of last year's show for me.
I also took a slew of photos of people I didn't interview, so I will just throw them up here. Unfortunately I can't credit any of the amazing artists responsible. However, if you see your work here, shoot me an email and I can give you your proper due. Many of these shots were taken during the first round of the contest, which centered around black and gray work:
This one was one of my favorites, especially considering the woman's reflection in the blade of the knife:
And this Star Wars leg was totally cool:
Finally, through social media, my friend Ben in Hawai'i requested a shot of "80s West Coast punk rock logos." I thought I had failed in my quest until, as I was leaving, I captured this tiny Black Flag tattoo on a guy named Crash, who works for Tattoo Artist Magazine:
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I met John recently in a local drug store in the Bay Ridge section of Brooklyn.
I had actually seen John once previously in the store, but had been unable to speak to him at the time, so I was happy when I ran into him again.
His upper right arm is a Star Wars tribute, but I shot the left arm instead. He was laughing because he had just been questioned by several people at a nearby department store and now that he had escaped to a different shop, here I was questioning him about his work.
This is a shot of his left arm:
Like the Star Wars theme on his right arm, the left arm embraces outer space, what John called his "tattoo identity".
He did note that this had been reworked and represented the repairing of a much smaller piece. He sung high praise to Alex Franklin of Brooklyn Ink, who did the majority of this work and made the piece what it is today. Alex and Brooklyn Ink are no strangers to Tattoosday. This link takes the reader to all posts tagged "Brooklyn Ink".
Before explaining that tattoo to me, however, he had shown me something that had not been visible in the department store. He pulled up his shirt to reveal this awesome V for Vendetta tattoo in the top center section of his back:
John loved the graphic novel and the movie as well.
The character of V makes a striking tattoo. This was inked by the incomparable Designs by Michael Angelo in Bensonhurst, Brooklyn. Work from his shop has appeared previously here on the blog.
Thanks to John for sharing his incredible tattoos with us here on Tattoosday! We hope to bring his Star Wars sleeve to the site some time in the future.
In the three part discussion of Avatar from earlier this month I referenced Joseph Campbell, the great mythologist and author from the last century. Campbell and his writings were a large influence on George Lucas when he wrote the Star Wars Trilogies, as well as with many other artists and writers of this era.
The PBS special from 1988, and its companion book,The Power of Myth, recorded a series of discussions between Campbell and journalist Bill Moyers. Few television programs have resonated with so many people for so long as this one has. Over the years it's airing has become a staple of PBS pledge drives. Personally, it is a project that changed my life. It made me more aware that the spiritual doesn't necessarily need to have a religious connotation. Also, it made me look at storytelling and film in a different way- all are based on universal themes, and some have become classics of modern mythology.
I was able to find several complete episodes online of The Power of Myth.
Below, from the collection of John Allen Bell, is Episode One of the series, The Hero's Adventure. Campbell and Moyers talked about Star Wars, as well as the meaning of the word "hero", and who or what is a hero. Another subject talked about in this episode, recorded in 1985 or 1986- that the earth would give us the next great mythology for mankind.....this was years before are concern about climate change moved to the forefront of our consciousness.
Campbell gives one bit of advice in this episode that he sees as the key to a happy and productive life......"Follow your bliss".
This is the third in a three part series about the phenomenon of the motion picture AVATAR. In Part One we looked at audience reactions and comments about the film, and how it has personally affected some viewers. Part Two talked about the mythology of Avatar, defined "myth", and presented (with video and text) some very important concepts about myths and mythology from the late Joseph Campbell
"One thing that comes out of myths is that the bottom of the abyss is the voice of salvation. The black moment is the moment when the real message of transformation is going to come. At that darkest moment comes the light"......from The Power of Myth by Joseph Campbell and Bill Moyers, page 37.
We left Part Two with Joseph Campbell's thoughts about attending to one's "inner life". Campbell noted that if you don't attend to your inner self, that eventually with age you will, as he put, "be sorry".
But in order to facilitate attention to our inner selves, Campbell also told us we all need an individual and personal "sacred space". Look and listen to this bit of conversation he has with Bill Moyers from the PBS documentary Joseph Campbell; The Power of Myth recorded in the months before his death in 1987.
There is an importance to having a "sacred space" and taking care of our "inner life". When I first saw Avatar I wondered what Joseph Campbell would have thought about this amazing modern mythology. But that question lead to another one- what would Campbell think about life in the 21st century, where we are bombarded with information constantly? The computer age was dawning at the end of Campbell's life. Could he imagine the conflict technology could have with the spiritual in the new century?
I use the term "conflict" because of the technological revolution and the constant stream of information it generates- and too much of the time its nothing more than useless nonsense- our inner lives are relegated to a back burner. The "sacred space" Campbell talked about isn't allowed to exist, and creative incubation and self discovery never takes place.
PC's, blackberries, and cell phones that can do everything but delivery babies. Texting, tweeting, Facebook, and emails all day and all night. And cable news channels that feed you information, some totally useful and some totally garbage, 24/7. You can hear cellphones ringing during plays, movies, and even while religious services are in progress. Where is the time for creative incubation anymore when we live in a society that seems to us to demand we be "on" constantly?
We don't spend nearly enough time taking walks and gathering in the world around us, or simply looking at the shapes of clouds passing overhead as we did as children. How often do we take time to write, or read a novel, or play a musical instrument, paint a picture or take photographs....or even demanding of ourselves some much needed "quiet time"? And I'm as guilty as the next guy....though the exercise of writing in this blog everyday does help me stretch my mental muscles, as well as help to keep me sane.
Before you conclude that I'm anti-technology, guess again. I think what we've done with high tech communications these past two decades has been extraordinary. I love a lot of the gadgetry. And the very fact that you're reading this on Blogger, and that I'm sharing this information on Facebook and Twitter says that I do have some techno-geek tendencies.
But I think it has a time and place, and I fear that all too often some of us have allowed technology to run our lives rather than using it to serve us. Do we really need to share every moment of our lives with a world that can't get enough of us? I don't think so.
While waiting for Avatar at the theater last week a young couple sat right in front of me. No sooner did they get comfortable then the young guy started to check his messages on his phone, and started texting...and texting...and texting...all the way until the time we were prompted to put on our 3D glasses because the movie was about to start. The young man wasn't even going to allow himself the total escapism of a movie- he was being ruled by need to use his devices.
And I wonder- how did the movie resonate with him? Was it just an incredible exercise in special effects.....or did he "get it"?
Just perhaps Avatar has helped to fill that need to touch the mythological that is lacking in the lives of many of the viewers, the ones who don't have that "sacred space" Joseph Campbell talked about, and have filled the void with the outside world.
The ancients had shaman. The modern world has the artist, in particular the filmmaker, who can serve that same function. Joseph Campbell's good friend George Lucas filled the role of shaman with his classic myths, the Star Wars trilogies. And James Cameron has done the same in Avatar.
Additionally, in our multi-cultural society there is always a need for a common mythology. Maybe Avatar serves that purpose as well. The film may bring some viewers "back on the beam", as Joseph Campbell would put it- a little more introspective and in touch with themselves and the world they live in. It is with great irony that so many people were reminded of what it means to "be human" by the Na'vi, seven foot tall blue humanoids from a fictional world.
There are some who cry out that Avatar is "anti-civilization" and "anti-God".
To those who criticize it for its depiction of humans as being "only the destroyers", there were also sympathetic humans in the story. Pandora,in Greek mythology, was a woman who opened up a box that contained the world's troubles, releasing misery on to mankind. But in this reworking of the theme, it is mankind that brings pain and misery to Pandora. The human characters are only an instrument in this metaphor of reflecting pain inward to destroy goodness and innocence.
The Vatican, for one, has frowned on Avatar for its depiction of pantheism, the deities paid homage to by the Na'vi in the film. But consider this- if intelligent life were found on other planets, wouldn't that leave the traditional answers of Judeo-Christian heritage more than just a bit shaken? Its a topic for another column, but Western religion, as we know it, would never quite be the same.
Avatar might have been one of the most spiritual films I've ever seen, not in a dogmatic sense, but its depiction of a Creator that is present in all living things. This movie was truly a mythology for the 21st century.
The next to last scene of Avatar shows the merciful Na'vi sending the defeated "Sky People" back from whence they came. They give the humans a better break than they might have gotten themselves had they been on the losing end.
The closing scene of the film summed up some of the great themes we've found in religion from the dawn of time. Jake gives up his crippled body and becomes one with his Avatar....we have death, followed by the unknown, followed by a rebirth. Not only have we seen this in world religion, but in the great modern mythologies....Star Wars, The Lord of the Rings, The Matrix, and Star Trek. Avatar is in their good company.
"At the dark moment comes the light"
Abraham Lincoln once spoke of our "better angels". And just maybe the Na'vi" were the best angels of all.
Yesterday I wrote that rather than sit home and watch a political debacle unfold in Massachusetts I'd go to the movies to try to escape from the news for a few hours. Actually, the time was ripe for me to see if all of the hype involving James Cameron's film Avatar was deserved. For weeks all we've heard was how amazing it was, what a benchmark the in filmmaking AVATAR is, and above all...how much money it was earning worldwide.
So I decided to check it out. I opted on the 3-D version at my local multiplex. I paid what I initially thought was an outrageous sum of $13.50 for a ticket, plus anther nine bucks for a Reese's pieces and a small coke. I sat there with the small Tuesday night audience watching the endless commercials, and then the trailers for the upcoming summer movies. At the appointed time we were told to put on our 3-D glasses.And within only a few minutes all my reservations were tossed out the window.
I was seeing something special....amazing....groundbreaking.
In a word....wondrous.
Avatar is more than a film- its an experience. The viewer is dazzled by its special effects, where they are transported 150 years into the future to Pandora, a moon of the planet Polyphemus in the Alpha Centauri star system. This is world being colonized by corporations from Earth- in particular, the United States- because of its abundance of the mineral unobtanium, which is used as a fuel on Earth. Pandora is inhabited by primitive hunter-gatherer humanoids called the Na'vi. They are a tall race with bluish skin and feline features. To these people, all of nature is sacred and they value the interconnection between all living creatures and their mother deity called Eywa.
Predictably there is a collision course between the Earth colonists, called the "Sky People", and the Na'vi. The Avatars are a biological mutation taken from the DNA of the humans and the Na'vi. They are controlled by genetically matched human "operators" in a controlled environment. Jake Sully, a wheelchair bound ex Marine goes to Pandora to control the avatar meant for his deceased twin brother. Jake's avatar goes out on a mission with those of scientists Grace Augustine and Norm Spellman. The Jake avatar becomes separated from the other two. He enters an amazing world of wolflike beasts, lemur-ish creatures, armored giants that resemble rhinos on steroids, and plant life that is...literally...out of this world. Jake meets Neytiri, the princess of a group of Na'vi. He is introduced into the world of the Na'vi and their beliefs. He grows to love Neytiri and her clan, but soon finds himself in conflict with his new life and that of his own real race; the human colonists aim to remove the Na'vi, either by resettling them, or failing that, to kill them.
More on the cast and plot can be found at the avatar Official Website, and Wikipedia does a fair job giving more information and background. I was originally going to add a theatrical trailer to this post, but even those on YouTube are in a wide screen format and would be chopped off in the blog's margins. To see an extended HD trailer for the film click here.
The Na'vi and the Na'vi avatrs were portrayed using performance capture by actors Sam Worthington, Sigourney Weaver, Zoe Saldana, Wes Studi, and CCH Pounder among others. One of the ironies for the viewer was that these computer generated images become more human than most of the human characters in the film. We root for these primitives in their struggle against the earth colonists, led by the evil Colonel Miles Quaritch (Stephen Lang), the head of security and possibly the most villainous screen presence since Darth Vadar or Hannibal Lector.
About an hour into the film I realized my jaw had dropped, probably from the start of the picture; also, the bag of Reese's Pieces I was clutching in my right hand had long since melted, and the Coke in the holder on my left was flat because the ice had melted in it. I was into the film so much that I felt like I was drawn into this miraculous, otherworldly 3D universe. The characters were compelling, the theme familiar- there is the obvious comparison to Kevin Costner's DANCES WITH WOLVES. It is a story of the noble primitives who are more in tune with- and have a greater appreciation for- the sanctity of life than those who have come to "civilize them".
James Cameron's film came with a created mythology, customs, rites, and language for the Na'vi. In this way the film was similar to STAR WARS, STAR TREK, and THE LORD OF THE RINGS epics of fantasy. The blue Na'vi are said to be a homage to Hindu deities.
In my spare time I've been reading The Imperial Cruise by James Bradley. In the book Bradley explores American foreign policy in the Far East at the turn of the 20th Century. A little known chapter of our history involves American occupation of the Philippines in the early 1900's, right after the United States seized them from Spain in the Spanish-American War. An insurrection occurred, and as many as 20,000 Philippine freedom fighters were killed, as well as up to 300,000 civilians. They were the victims of US troops, some of whom executed all males in a village over the age of ten to insure they wouldn't raise arms against American forces. I couldn't help but think about the book as I was watching AVATAR- it was as if James Cameron turned into a modern Nostradamus, looking into his pool of water and seeing a possible tragedy in a world far away in the distant future.
And I also thought about the late Joseph Campbell, the great mythologist who's best known work was THE HERO WITH A THOUSAND FACES. Late in his life Campbell became a close friend of George Lucas, and Campbell often used STAR WARS as an example of modern mythology presenting classic themes for a contemporary audience. Campbell would have been astonished by this epic film; he often said that the artist- in this case the filmmaker- is the modern equivalent of the primitive shaman, the interpreter of mythology. "Mythology" is not a false belief, but a universal truth told in the guise of a story.
In AVATAR, James Cameron has taken his place in a modern pantheon of contemporary mythologists- this is an epic tale that will only grow in stature in time.
It is also ironic that so much technology was used to tell a story about the beauty and interconnection of all living things. And when presented with the choice of going on my computer to write this entry or taking a long walk on a mild day in January I chose the former.
But I will go outside and take a few deep, cleansing breaths when I finish.
