Last Rites Gallery presents Lilith, new works by Sarah Joncas

Presents: Sarah Joncas

Opening Reception: Saturday, April 30th, 7pm-11pm
Last Rites Gallery presents Lilith, new works by Sarah Joncas. Using powerful and sexually charged energy, "Lilith" takes on a darker context with Joncas painting in full-force celebration of the original femme fatale. Combining explicit imagery with more subtle anthropomorphic iconography, she leads us into a world of seduction and mystery.

"My show Lilith is not necessarily as a direct allegorical reference, but more so for what she represents. According to Jewish Mythology, Lilith is considered to be the true 1st wife of Adam, her unwillingness to submit caused her to rebel from Eden in search of her own dark path. As such, she’s been written as the temptress, the mysterious and the devil. Taking from fairytale and folklore inspirations, much of the work borders on the fantastical, indulging and sometimes turning other mythological females into similar demoniac beings. Though working with a relatively more aggressive theme than usual, I’ve kept the melancholic and pensive tone that my work is most well known for. In general, I’ve always focused on the alienated female subject as well, making a theme on the legendary archetype a natural course for me to take. In a sense, I see this body of work as a bit of a return for me. Though the women I’m portraying in these pieces are bolder, more sexual and more mature than those of my previous work, I’ve decidedly brought back some of the whimsy that I’d abandoned after years of schooling. In effect, this body of work has been especially fun for me to create, which is more or less the reason I got into painting in the first place."

Sarah Joncas was born in 1986 and grew up within both Hamilton and Niagara Falls, Ontario. She currently resides and works out of Toronto, Canada. Her interest in the visual arts developed at an early age, starting with the dedicated drawings of dinosaurs and lizards. Eventually the study and enjoyment of working from existing images stirred up the need in Sarah to create images of her own; ones that could reflect the world, yet also appease the personal feelings/ideas that she herself maintained. With this, her direction changed gradually from the world of animation, towards a path in fine art.


About Last Rites Gallery:
Established in 2008, Last Rites has become a premiere gallery for the Dark Art movement and a haven for artists who prefer to explore the ominous, uncomfortable, and eccentric in their work. Striving to showcase some of the most thought-provoking art in contemporary surrealism, Last Rites creates an atmosphere where the artist can harness limitless expression and the observer can reflect inward, inspired to understand that which resides in us all. Since it’s inception, media accolades now include Juxtapoz, Inked Magazine, Tattoo Society, Hi Fructose, NY Post, and the Channel 11 News. Paul Booth, featured by Rolling Stone as “King of Rock Tattoos”, opened Last Rites after 20 years of contributions to the tattoo and art community. Networks including Discovery, TLC, MSNBC, and MTV, continue to share Last Rites' reputation with the world.
On display April 30th to June 5th, 2011.
( Installation Shots Coming Soon )

CONTACT:
Celeste Fuechsel
Assistant Director
1-212-560-0666
info@lastritesgallery.com
Last Rites Gallery, 511 W. 33rd street, 3fl New York, NY 10001


Sources
La Sumisa
Last Rites Gallery


Subscribe to updates thru BBM: 32669473

Last Rites Gallery presents solo shows by Anthony Pontius and Sarah Joncas - Saturday, April 30th, 7pm‏

Last Rites Gallery presents:

Solo shows by:
Anthony Pontius and Sarah Joncas
Opening Reception: Saturday, April 30th, 7pm-11pm

ANTHONY PONTIUS, THE DECAY:

One of the most unique painters to emerge from the modern surrealist movement, Anthony Pontius is a maverick of medium - never following a formula, he experiments with various paint, thinner, and every vehicle in between to achieve unexpected and unprecedented results. Fluid and unabashed, his paintings do not shy of the bravado of bold brushstroke or a valiant splash of color, yet manage to retain an understated elegance. As recognizable images unravel into subconscious forms, these combinations of representational art with sinuous abstraction evoke intense emotion through the power of suggestion. In his latest body of work, Anthony examines the importance of the human connection to history:

"By using past and present techniques of painting and written histories, I invent my own nostalgic experiences and narratives. I examine imagery, stories and concepts from both the past and present and place them in a shared setting. The established conflicts and connections found in this union enable an image that is flexible for many audiences. I implore traditional and contemporary practices of painting and mix these approaches to form new arrangements. I may use classical clarity to represent and to define a specific part of a story, and at the same time use the ambiguity of abstraction to complete the formation of the work. From this, a new myth develops. It is a story that is familiar yet it has not been cultivated by anyone. The combination of specific imagery and less comprehensive moments creates an accommodating proclamation that allows the viewer to share the anxiety and beauty of human involvement with its identity. This approach allows me to represent our alignment with the annals of history. This display of beauty and complexity of the unknown provides a foundation to what we consider the past and present. As with history, these paintings are not clear or concise. They are fluctuating consequences wielded from contribution."

SARAH JONCAS, LILITH:
Last Rites Gallery presents Lilith, new works by Sarah Joncas. Using powerful and sexually charged energy, "Lilith" takes on a darker context with Joncas painting in full-force celebration of the original femme fatale. Combining explicit imagery with more subtle anthropomorphic iconography, she leads us into a world of seduction and mystery.

"My show Lilith is not necessarily as a direct allegorical reference, but more so for what she represents. According to Jewish Mythology, Lilith is considered to be the true 1st wife of Adam, her unwillingness to submit caused her to rebel from Eden in search of her own dark path. As such, she’s been written as the temptress, the mysterious and the devil. Taking from fairytale and folklore inspirations, much of the work borders on the fantastical, indulging and sometimes turning other mythological females into similar demoniac beings. Though working with a relatively more aggressive theme than usual, I’ve kept the melancholic and pensive tone that my work is most well known for. In general, I’ve always focused on the alienated female subject as well, making a theme on the legendary archetype a natural course for me to take. In a sense, I see this body of work as a bit of a return for me. Though the women I’m portraying in these pieces are bolder, more sexual and more mature than those of my previous work, I’ve decidedly brought back some of the whimsy that I’d abandoned after years of schooling. In effect, this body of work has been especially fun for me to create, which is more or less the reason I got into painting in the first place."

Sarah Joncas was born in 1986 and grew up within both Hamilton and Niagara Falls, Ontario. She currently resides and works out of Toronto, Canada. Her interest in the visual arts developed at an early age, starting with the dedicated drawings of dinosaurs and lizards. Eventually the study and enjoyment of working from existing images stirred up the need in Sarah to create images of her own; ones that could reflect the world, yet also appease the personal feelings/ideas that she herself maintained. With this, her direction changed gradually from the world of animation, towards a path in fine art.

About Last Rites Gallery:
Established in 2008, Last Rites has become a premiere gallery for the Dark Art movement and a haven for artists who prefer to explore the ominous, uncomfortable, and eccentric in their work. Striving to showcase some of the most thought-provoking art in contemporary surrealism, Last Rites creates an atmosphere where the artist can harness limitless expression and the observer can reflect inward, inspired to understand that which resides in us all. Since it’s inception, media accolades now include Juxtapoz, Inked Magazine, Tattoo Society, Hi Fructose, NY Post, and the Channel 11 News. Paul Booth, featured by Rolling Stone as “King of Rock Tattoos”, opened Last Rites after 20 years of contributions to the tattoo and art community. Networks including Discovery, TLC, MSNBC, and MTV, continue to share Last Rites' reputation with the world.
On display April 30th to June 5th, 2011.

CONTACT:

Celeste Fuechsel
Assistant Director
1-212-560-0666
info@lastritesgallery.com
Last Rites Gallery, 511 W. 33rd street, 3fl New York, NY 10001

Sources

La Sumisa
Last Rites Gallery



Subscribe to updates thru BBM: 32669473

Skin and Bones Tattoo Exhibit

For centuries, long before their landlubber cousins sported shoulder skulls and bicep beauties, seafaring men have offered up their skin to the tattoo artist's needle. The results are as plain as the anchor on Popeye's forearm.

"There's a thin wall between life and death at sea," says Craig Bruns, curator of "Skin & Bones — Tattoos in the Life of the American Sailor," a touring exhibition now on display at Mystic Seaport. "You're going to want talismans for good luck, and you're going to want them on your very body, almost like a second skin."

Even fictitious sailors had them.

In Herman Melville's novel "Moby-Dick," for example, the imposing harpooner Queequeg was covered in tattoos. "This tattooing had been the work of a departed prophet and seer of his island, who, by these hieroglyphic marks, had written out on his body a complete theory of the heavens and the Earth, and a mystical treatise on the art of attaining truth," Melville wrote. "So that Queequeg in his own proper person was a riddle to unfold; a wondrous work in one volume; but whose mysteries not even himself could read."

"Skin & Bones" unravels some of those mysteries.

Using everything from antique needles to old postcards, it traces the connection between American sailors and tattoos from Colonial times right up to current-day U.S. Coast Guard sailors. Plus, visitors can sit at a "Tattoo-A-Tron" and get their own faux tattoo.

The exhibit debuted in 2009 at Philadelphia's Independence Seaport Museum. Mystic is its first port of call since then, and it will remain here through Sept. 5.

"Sailors were working folks," Bruns explains. "They were the lowest rung on the social ladder, just above slaves. They were feared. They looked weird. They had their own jargon, and they were rowdy. And they had these tattoos."

There were practical reasons for all the body art, of course.

First, tattoos were a form of identification. Sailors had little in the way of personal possessions, and they depended on tattoos to indicate their citizenship, religious affiliation and date of birth.

Tattoos also showed where a sailor had traveled, whether he crossed the equator, how many miles he sailed, significant military battles he was in, names of ships on which he served and names of shipmates who died.

"By 1770, there was already a very complex tattoo culture," Bruns says. "It's a mark of masculinity. Of belonging. Of patriotism."

"Skin & Bones" has early tattoo equipment on display, from the sail-making needles of the 1700s to the advent of Samuel O'Reilly's electric Tattoo Machine in 1891. There also are examples of tattoo "flash" — the books of tattoo designs that served as portfolios for shipboard tattoo artists.

One of those flash books, owned by a sailor named C.H. Fellowes in about 1900, is on loan from Mystic Seaport. It's one of the oldest flash books still in existence.

Beyond such artifacts, the exhibit is filled with the tattoos themselves.

You have dragons, American flags, hula girls, hearts, roses, ships, figureheads, coils of rope, mermaids, whales, eagles, shields, fish and stars. Some swabbies preferred the "twin screw" tattoo: a pair of propellers that sailors thought would keep them from drowning and propel them back to shore.

On one wall of the exhibit is the classic, 1944 Saturday Evening Post cover, "The Tattoo Artist," painted by Norman Rockwell. It shows a brawny sailor getting the name "Betty" tattooed to his arm, underneath the crossed out names "Sadie," "Rosietta," "Ming Fu," "Mimi," "Olga" and "Sing Lee."

There are nuggets of nautical tattoo trivia, too.

For instance, Macy's shoppers may be interested to know that the department store's red star logo is identical to the red star tattoo on the arm of founder Rowland Macy, who worked on a whaling ship when he was a teenager.

Here's another tidbit. Sailors believed they could survive a shipwreck if they tattooed a pig on their left foot and a rooster on their right foot. This may be because shipboard animals traveled in crates that floated if they were tossed overboard.

"Some tattoos were very allegorical, and others were pretty direct," Bruns says. "It was all part of being a sailor and being part of that world."

Today's sailors are represented in a series of video interviews with Coast Guard officers talking about their tattoos.

"There is something unique about my Neptune tattoo on my left calf," says Emilio Mercado, a petty officer recorded at the Sector Delaware Bay Station in Philadelphia. "The tattoo doesn't show the eyes of Neptune, since I'm acting as the eyes of Neptune right now for the United States Coast Guard and the nation. ... Once I retire, the eyes will be drawn in the tattoo as a completion of my duty and to ensure safety for my own life."

American sailors have decorated their bodies with tattoos for more than 200 years. Discover why in this new traveling exhibit from Philadelphia's Independence Seaport Museum. Skin & Bones presents over two centuries of ancient and modern tattooing tools, flash (tattoo design samples), and tattoo-related art, historic photographs, and artifacts to tell the story of how tattoos entered the sailor's life, what they meant, and why they got them.

A tattoo could be a memento of a voyage, a memorial to a lost shipmate, or a talisman to ward off evil spirits. They also had a practical side: tattoos were used to prove identification in event of catastrophe or imprisonment. Regardless of the purpose, the tattoo served to prove the wearer's membership in a maritime brotherhood.

The exhibit traces the progression of purpose and design to the present. Some of the connections are surprising: The famous red star logo of Macy's department store is believed to have been inspired by a tattoo founder R.H. Macy got while on a whaling voyage in the South Pacific on the Emily Morgan (a predecessor of the Museum's 1841 whaleship Charles W. Morgan).

Skin & Bones brings together the most comprehensive presentation of design flash on this subject. From eagles and flags, to ships and animals, to lost shipmates and loved ones, visitors can survey the evolution of tattoo design through the decades. One of the oldest surviving books of American flash, bearing the name C.H. Fellowes, belongs to Mystic Seaport and is on display. Visitors can also see the range of tattoo-making tools, from rather crude sail-making needles to Samuel O'Reilly's revolutionary electric tattoo machine of 1891.

Visitors will be invited to get their own tattoo in an interactive "tattoo booth" where a recorded "tattoo artist" talks to them about their chosen design as he inks a pretend tattoo on their forearm using a video projection effect. They can also try their hand at sketching a tattoo and share the results.

By the end of the exhibit, you will know if you have a tattoo, thank a sailor!

Sources
Jim Shelton

Last Rites Gallery Announcement

The staff at Last Rites Gallery, are proud to host a plethora of artists from around the planet, creating the some of the best work within the Dark Art genre. Right now our hearts go out to our friend, Japan based artist Yoko D'Holbachie, her family, and everyone who has fallen victim to the unexpected and tragic events of the earthquake and tsunami.

In lieu of these recent hardships, we are deeply touched by Yoko's contribution to our upcoming "Song Of The Sirens" group show of her uplifting painting "Goddess", and her offer to donate her share of the sale of this piece to the relief effort. In her own words: "In this painting I depicted a goddess that could save the people of Japan from the Tsunami. I hope she will rescue people in Japan, my homeland, from despair. "title: GODDESS size: 16.1 x 20.9 in chacrylic on coated wood panel (framed) $2200 USD Last Rites will also be donating the gallery portion of proceeds on this piece so that 100% of the sale cost will go toward the relief effort.

If you are interested in purchasing this featured painting, or donating otherwise toward the Tsunami relief, please contact the gallery: 

Sincerely, Paul Booth & The Last Rites Team

212.560.0666

info@lastritesgallery.com   

Last Rites Gallery presents Song of the Sirens

Opening Reception: Saturday, March 26th, 7pm-12am
Saturday, March 26th, Last Rites Gallery presents it¹s first all-female group show.

Known for exhibiting "Dark Art" - a genre typically outnumbered by male artists, The gallery has set out to present a feminine twist on this hard-edged style. Just as the Siren song lured sailors to their violent death, over 17 female artists will be entrancing viewers with the beauty of their aesthetic, leading them into a more sinister realm.

Among this diverse group of talent is Tara McPherson- a fine artist & illustrator who¹s been profiled by publications including Vanity Fair and Spin, in addition to her work for rock bands such as Beck and Modest Mouse and commercial clients such as Warner Brothers and Nike; Niagara- former member of the punk band Destroy All Monsters, now creating striking depictions of strong women which have been exhibited in galleries & museums around the planet; Lady Pink- a world renowned graffiti artist who's artwork has been gracing the streets since the since the 80's, as well as presented in collections including the Whitney Museum, the Brooklyn Museum, and the MET in New York City; and Amy Crehore's mysterious, dream-like narratives have been exhibited in notable galleries and museums for many years and commissioned by America's top magazine and book publishers such as ESPN Magazine, Esquire, Forbes, GQ and Rolling Stone.

Featuring diverse subject matter and a variety of media from:

Amy Crehore, Imminent Disaster, Yoko D'Holbachie, Leslie Ditto, Dan-ah Kim, Danni Shinya Luo, Angie Mason, Tara McPherson, Miso, Catherine Brooks and Tamara Cervenka aka Isobel Milena, Niagara, Lisa Petrucci, Lilly Piri, Mijn Schatje, Pink Smith, Allison Sommers…and more!

About Last Rites Gallery:Established in 2008, Last Rites has become a premiere gallery for the Dark Art movement and a haven for artists who prefer to explore the ominous, uncomfortable, and eccentric in their work.

Striving to showcase some of the most thought-provoking art in contemporary surrealism, Last Rites creates an atmosphere where the artist can harness limitless expression and the observer can reflect inward, inspired to understand that which resides in us all. Since it's inception, media accolades now include Juxtapoz, Inked Magazine, Tattoo Society, Hi Fructose, NY Post, and the Channel 11 News.

Paul Booth, featured by Rolling Stone as "King of Rock Tattoos", opened Last Rites after 20 years of contributions to the tattoo and art community. Networks including Discovery, TLC, MSNBC, and MTV, continue to share Last Rites' reputation with the world.On display March 26th to April 23rd, 2011.

CONTACT: Celeste Fuechsel
Assistant Director1-212-560-0666 info@lastritesgallery.com

Last Rites Gallery,
511 W. 33rd street, 3fl New York, NY 10001

San Francisco Tattoo and Piercing Studio Hosts Art Exhibit and Cocktail Hour March 27

Tattoo Boogaloo's art show opening on March 27th will feature artwork by two of its own tattoo artists Deanna Wardin and Mez Love.

As connoisseurs of all things art, Tattoo Boogaloo's owners and artists are hosting an art exhibit and cocktail hour beginning at 6pm on March 27th, 2011. Located in the heart of North Beach in San Francisco, Tattoo Boogaloo's tattoo artists Mez Love and Deanna Wardin switch media for the night, and will display ten collaborations they created for local tea company, Herb 4 U Garden.

Herb 4 U Garden commissioned Mez and Deanna to digitize some of their original paintings to create labels for their tea canisters. "We had so much fun creating the original paintings, that it's really exciting that our work will now be featured on the canisters of Herb 4 U Garden Tea," says artist Deanna Wardin.
The original artwork by Mez and Deanna will be up for sale at Tattoo Boogaloo, and the art opening is in support of Tattoo Boogaloo as well as Herb 4 U Garden. Additionally, information about Herb 4 U Garden's new products will be on display at the event.

Jared Anderson and Kyle Ford, mixologist extraordinaire of the bar 15 Romolo located in North Beach and known for their unique and delectable libations, will concoct tea-infused cocktails during the event.

Tattoo Boogaloo is hosting an art exhibit and cocktail hour on March 27th.

Mez Love specializes in portraits and realism and I enjoy creating contemporary and graphic works," said Deanna. "We encourage everyone to stop by for good company, an exceptional cocktail, beautiful artwork and lots of fun."

We had so much fun creating the original paintings, that it's really exciting that our work will now be featured on the canisters of Herb 4 U Garden Tea.

For more information about Tattoo Boogaloo's art exhibit or any of their products or services, call them at (415) 391-1053, view them on the web at http://www.tattooboogaloo.com, or visit their store located at 528 Green Street, San Francisco, CA 94133.

About Tattoo Boogaloo
Tattoo Boogaloo is a San Francisco tattoo and piercing studio located in the North Beach neighborhood. They accept walk-ins for tattoos and piercing and are also available for consultations on future body art.

The San Francisco tattoo studio has been open since July of 2010, and it is owned and operated by the three artists Chris, Deanna and Mez. They are also pleased to announce the newest addition to the Boogaloo crew, Katie Grienstead, also known as Katie the Piercing Lady.