A Ship and An Owl Sail in from California

I ran into Lindsay and her friend Tessa as they were coming out of Penn Station last month.

Between them they have seventeen tattoos, many of which are fairly amazing. Lindsay shared two of her pieces with us here at Tattoosday.

First up is a traditional ship tattoo on the front of her upper left arm:


Aside from the aesthetics, and the nod to the classic style of traditional tattooing, Lindsay told me that this piece is a steady reminder for her to "stay the course" in her life.

It was inked by Shawn Phelps at Integrity Tattoo in Campbell, California.


The back of Lindsay's arm hosts this incredible owl tattoo:


Owl tattoos are a popular tattoo motif. I've mentioned before this great blog dedicated solely to Owl Tattoos. On the far side of her upper left arm, she says her owl, aside from its decorative strengths, "watches [her] back". This great tattoo was done by Karl Fisher at Tattoo 13 in Oakland, California.


I humbly thank Lindsay for sharing her a little bit of her body art with us here on Tattoosday!

Be sure to check here to see what amazing piece Lindsay's friend Tessa offered up to the blogosphere!

Christina's Flawed Tattoo is Just Right

I spotted this interesting tattoo while in Penn Station last month:


Christina, to whom this piece belongs, called this a "reverse tattoo," in that the main focal point of the piece is the word "Flawed".

The word is empty of ink and is created by the artist using negative space.

But why "flawed?" Christina explained that "we all have a weakness" and that "only God is perfect." It"s a reminder that "everyone has need for improvement" and that no one is ever perfect.

This is one of four of Christina's tattoos.

Thanks to Christina for sharing this with us here on Tattoosday!

Nine Little Foot Tattoos and a Prayer for Peace

It is embarrassing to admit, I don't remember the name of today's contributor.

Normally, regular readers may know, I'm a bit more diligent about contributors to the site, but in this case, Z, as I will refer to her, gave me her card, which included her email address and website (she's an artist that works mostly in oils), and I subsequently put it somewhere safe. So safe, I forgot where.

In other words, I lost it.

But let's talk about how I met Z and came to know her tattoos.

Fate spilled me out on the 36th Street platform in Brooklyn. An express train (N) came before the local, so I hopped on, with the intention of riding to 59th, one stop away, and then grabbing an R train.

Standing on the N, I looked down and saw a tattooed foot. Not your normal tattooed foot, with a rosary (like this one), or flowers, or whatnot, but a foot with tattooed marks on it. Just the right foot. The left foot was bare, although there were symbols circumnavigating the calf, just above the ankle.

As luck would have it (Luck loves Tattoosday), Z exited the train at 59th Street and I started talking to her on the platform.

We both caught the R and talked tattoos all the way to 95th Street. Upstairs, at street level, I snapped some photos.

This is her foot:


Up close, one can see that the marks are ants.

Z grew up in New Orleans and always remembers the big, black ants that scurried about.

One day, she was bored, and drew some ants on her foot with a Sharpie. She went several days with her foot be-speckled by these ants, and they grew on her. She wandered into Cherry Bomb Tattoo in Brooklyn, and had them permanently tattooed.

There are nine ants in all.

The following tattoo is above her left ankle:


The Tibetan prayer is "om mani padme hum". She told me that this is the prayer for universal peace.

Thanks to Z for sharing her tattoos with us here on Tattoosday!

UPDATE: It took a while, but our paths crossed again, on July 2, 2010, I was hanging outside of the laundromat near home when I saw a woman with black spots on her foot crossing the street across the avenue from me. When I saw the ring of Tibetan around her left ankle, I knew it was the same person. I scurried across the street and re-introduced myself. The subject formerly known as "Z" is actually named Jeanette, and I was finally able to update this post, with her proper name attached.

RCDs get a "pick up" from MARQUES

One of the highlights of this year's MARQUES Conference was the workshop by Class 99 contributor David Stone, "Design: pick up where trade marks leave off". The format of the workshop was simple but effective. First David took the workshop participants through the main features of registered Community design (RCD) law regarding registration and scope of protection. Next, dividing the room into in-house legal teams, he gave each an item and asked the team to come up with two Community trade marks and six RCDs to protect it. Then he gave each team the lookalike product against which their theoretically protected product had been matched in recent litigation and asked them to confess as to whether their advice on registration had beenadequate to protect their product against the lookalike.

Right: Pimm's v Pitchers revisited

Although some of the products involved were alcoholic beverages the exercise was a sobering one. For one thing, you soon get the idea as to which players do the work in their offices and which do the social networking. More to the point, the exercise demonstrated how much the protection conferred by the RCD can be likened to a sort of lottery, since so much is dependent on guesswork. The manufacturer of the original product doesn't know which features of his product a me-too maker will borrow, and the lookalike producer doesn't always know which features of his target have been protected, since publication of the RCD may have been deferred.

Left: WIPO design chief Gregoire Besson watches the workshop with detached amusement

My feeling is that the "what shall we protect?" exercise is done best where the in-house team starts off by pretending it's on the other side and asking how close it can get to the original product without risk of legal action, then work backwards towards a design and trade mark registration policy. But that's another matter ...

Cenk's Skeleton Tattoo Pays Homage to Yukio Mishima and St. Sebastian

I met Cenk where I meet so many Tattoosday volunteers, outside of Penn Station on the plaza adjacent to Madison Square Garden.

He shared this, one of his four tattoos:

This is an interpretation of the depiction of St. Sebastian, as seen by the Japanese author Yukio Mishima, one of Cenk's favorite writers. A variation of the St. Sebastian imagery graced one of the many covers of Mishima's Confessions of a Mask:


Mishima even posed for a publicity photo as the martyred St. Sebastian:


This piece was tattooed by Myles Karr at Saved Tattoo in Brooklyn. According to his website, he has since left Saved, and opened Three Kings Tattoo Parlor. Mr. Karr's work has appeared previously on Tattoosday here and here.


Thanks to Cenk for sharing this tattoo with us here on Tattoosday!

Alexandra's Tattoo Asks "Whoooo ... Are ... You?"

I was walking through Penn Statiom in late August, when I stopped dead in my tracks after spotting this tattoo on the upper right section of Alexandra's back:


Tattoos are interesting to me, to begin with, but when they illustrate a work of literature, I am pleased to no end, even if the work in question is not necessarily one of my favorites.

One need not have read Lewis Carroll's classic Alice's Adventures in Wonderland to recognize that this tattoo is based on that seminal work.

Initially, Alexandra shared a bit with me. She just moved to New York from Orlando, and is a big fan of literature, in general. She is "infatuated" with the story of Alice, and the "trippy, unique" universe of Lewis Carroll.

The scene depicted is Alice's encounter with the caterpillar, from the Disney movie, Alice in Wonderland. The caterpillar asks Alice, "Whooo ... are ... you?" This could be an innocent question, but Alexandra notes that this is also a basic philosophical question about humans, in general. Thus, the "W" formed by the smoke from the caterpillar's hookah, represents that seminal question, "Who....?"



In the weeks since I met her, Alexandra has become a fan of Tattoosday, and has shared more, including some photos of the tattoo in progress. She also elaborated a bit more about the whole experience of getting this, her first tattoo.

She directed me to this link here, where she blogs about her tattoo. She added to this, by telling me, via e-mail:

"I was actually scheduled to go and get the tattoo with another popular artist in the [Orlando] area, and was with a group of friends, one whom wanted to get her tattoo touched up. The artist I was trying to work with gave me a bit of the brush off, so we were told to come back later. So we headed down the road and found Fine Ink Studios. Barnett, the owner, had literally set up shop just 5 days prior. While my friend Ashlie was asking about her Fleur de Lys tattoo, Barnett had asked what I was going to leave to get. I told him about the caterpillar, and as professional as possible he told me, "Just so you know, I'd reeeeeally love to do that for you." I went back to the other store, something went wrong, and I decided to leave and go back to Barnett! Happy days, it turns out Barnett had ALSO been employed by Disney and actually had worked on the animation for the film Aladdin. That really sold me, and it was such an amazing 2 and a half hours. I spent the entire time singing Disney songs as loud as I could to get through the pain :)"

Thanks much to Alexandra for sharing so much about the tattoo. Welcome to the Tattoosday family!

Mike's Amazing Back Piece

I had just exited from the subway station in Bay Ridge when I spotted an extremely-inked couple.

I talked with both of them, but Mike was gracious enough to share this phenomenal back piece:


Mike, a musician, has been on the receiving end of the tattoo machine for many years. He is currently lead singer/bassist for The F.T.W.'s, a New York-based rock band.

He even speaks nostalgically about the mid-90's, when tattooing was still illegal in New York City. He has a critical eye and like many people with a commitment to old school tattooing, is dismayed by the skyrocketing popularity of the art, and the subsequent deterioration of the overall quality of tattoos.

For every great tattoo you see here on Tattoosday, there are two dozen others that were inked because they are trendy, and not out of appreciation of the art.

We had a lengthy discussion about this and I worried he might not be so down with the site because I don't always feature top quality tattoos, and am oftentimes just as interested in the story behind an average tattoo as I am in a convention-quality piece.

As for Mike's back piece, he credits Miss D'Jo at the fabulous Lark Tattoo in Westbury, New York for the creation of this gigantic tribute.

See other work from Lark on Tattoosday here.

Mike spoke of a friend and tattoo artist, Chris Lewis, who committed suicide many years ago. Chris had given Mike a knife as a gift, and after his friend passed, Mike had this quasi-memorial back piece done. The knives in the tattoo are modeled after the blade in question.

The detail in this gigantic tattoo is simply phenomenal. Just take a look again at the handiwork on the knives:

Much thanks to Mike and his girlfriend Amanda for stopping and talking tattoo with me. Your contribution to Tattoosday is much appreciated!!