Thursday, April 30, 2009

Exhibition Priority

Was ever a more dangerous, less useful concept enshrined in IP law than exhibition priority? As OHIM's Presidential Communication 1/03 says "only a very small number of exhibitions, in particular world exhibitions, fall under this provision" - it is more often claimed incorrectly than correctly. A rare patent case, T 0382/07, looked at an exhibition priority claim in a European patent, which had been filed as an international application, and concluded that the European Patent Convention did not allow exhibition priority, even though the Paris Convention and the WIPO Patent Cooperation Treaty permitted it, and the applicant's country of origin (where the PCT was filed) provided it. That analysis (applicable law is that of the designated state not the state of origin) would seem also to apply to Hague Agreement international designs. Had this been a design case, OHIM would have accepted the priority claim in respect of the European designation, but the many national offices which do not have exhibition priority would not. The applicant's own disclosure would still, I guess, be protected via a grace period where there is no exhibition priority, but intervening third party disclosures (as occurred in this patent case) would be lethal. The take-home message: don't rely on "exhibition priority" outside the shores of Europe.

Thursday, April 23, 2009

US PTO abandoning examination?

Dennis Crouch has a good analysis of US Design Patent allowance rates - it makes cheerful reading after all that depressing business method stuff, anyway. His conclusion? "our design patent system is approaching a registration system". Well well ... just as they are gearing up to adoption of the (registration oriented) Hague Agreement. Will anyone, anywhere search designs for prior art if the US cease to do so? Would it be such a bad thing?

Commissioned Designs and Employee Designs

To jump-start this blog, here is a link to the long-awaited first ECJ words of wisdom on Community Designs, in Case C-32/08 FEIA . Strangely, the issue isn't one of the fundamentals of design protection, but what, to the unobservant, might appear to be a bit of a no-brainer.
Anyway, here are the questions referred by the Alicante court:
  1. Must Article 14(3) of [Council Regulation (EC) No 6/2002 of 12 December 2001 on Community designs be interpreted as referring only to Community designs developed in the context of an employment relationship where the designer is bound by a contract governed by employment law whose provisions are such that the designer works under the direction and in the employ of another? or
  2. Must the terms ‘employee’ and ‘employer’ in Article 14(3) of Regulation No 6/2002 be interpreted broadly so as to include situations other than employment relationships, such as a relationship where, in accordance with a civil/commercial contract (and therefore one which does not provide that an individual habitually works under the direction and in the employ of another), an individual (designer) undertakes to execute a design for another individual for a settled price and, as a result, it is understood that the design belongs to the person who commissioned it, unless the contract stipulates otherwise?
  3. In the event that the answer to the second question is in the negative, on the ground that the production of designs within an employment relationship and the production of designs within a non-employment relationship constitute different factual situations, (a) is it necessary to apply the general rule in Article 14(1) of Regulation No 6/2002 and, consequently, must the designs be construed as belonging to the designer, unless the parties stipulate otherwise in the contract? or (b) must the Community design court rely on national law governing designs in accordance with Article 88(2) of Regulation No 6/2002?
  4. In the event that national law is to be relied on, is it possible to apply national law where it places on an equal footing (as Spanish law does) designs produced in the context of an employment relationship (the designs belong to the employer, unless it has been agreed otherwise) and designs produced as a result of a commission (the designs belong to the party who commissioned them, unless it has been agreed otherwise)?
  5. In the event that the answer to the fourth question is in the affirmative, would such a solution (the designs belong to the party who commissioned them, unless it has been agreed otherwise) conflict with the negative answer to the second question?

The Regulation is pretty clear that it is referring to employees, and the question of commissioned works was raised, but not settled, during the interminable legislative negotiations. That results in Community Designs being treated differently to UK registered and unregistered designs (and, it seems, Spanish designs too), where ownership vests in the commissioner, but in line with other EU legislation (eg the software directive and the chip topography directive). It is a bit of a trap for the unwary, I suppose, as the UK government intervened to say.

We now have the AGO's Opinion of 26th March 2009 - not, alas, in English so far, but here is a link to the French version.

The answer would appear to be that "employed" does indeed mean "employed". Hurrah. Will the ECJ, as usual, agree? Stay tuned. And if you're looking on the ECJ search page, don't bother selecting "Intellectual Property" - for some reason, this one comes up under "Free Movement of Goods".

Class 99

Welcome to Class 99! The Locarno design classification used to feature "Miscellaneous" class 99 which offered a home to, amongst other things, coffins, holy-water stoups, piggy banks and propagators, and was latterly used for logos and the like. Our aim here is to host a miscellanea of design law facts and curios, and to start us gently, here is a selection of toothsome UK designs from Messrs Lucky Dip Nottingham Limited.



http://www.ipo.gov.uk/d-journal/6216/designs/class99.html



We are reminded of the Wicked Willie cartoons that played such an important part in persuading Willie Aldous J (as he then was) to register cartoon male genitalia in Masterman's Application. ([1991] R.P.C. 89).



Happy eating, but if you encounter the taste of melamine, spit, don't swallow!